I’m probably going to be pretty pooped out on writing this month, so I’m not sure if my standard blog posts are going to happen. I’m due for a couple more book reviews, but aside from that, I think I’m going to keep my blog posts focused on the NaNoWriMo experience.
So I’ve finished day 2, which is technically my day 1, since I’m determined to not write on Sundays.
So far, I’ve finished 2000 words, hitting my goal for the day. Here’s hoping that the first couple pages are some of the hardest, because I kept having to make up new characters as I went. And I also had to keep myself from Googling factoids that I wasn’t sure about. I’m trying to keep this as low research as possible, hence the subject matter of the book, basically locally oriented chick lit. Out of all my story ideas, which I shared with Dan, it seemed like the best suited for this kind of project.
Let’s see, discoveries for today. I’m realizing that characters let you in on secrets about their future. I’ll be writing about a character and something surprising will pop out of his or her mouth, indicating a future sub-plot that I would have never expected. So, of course, every time that happens, I need to jot down that plot development in my little “plot overview” sheet, which is really just a short list of things I want to happen in the book. Right now, it seems like I’m on a journey from point to point, just trying to make it to the milestones I’ve set up for these characters.
Oh, and the exposition stage is a real bear. I hate it when books just dump down the entire character history right off the bat. I’m more of an in medias res kind of person (where the book starts in the middle of the action). But the challenge to that is incorporating the character background in a natural kind of way.
Stay tuned for more on this adventure. Here’s my NaNoWriMo page with the new page numbers listed: http://www.nanowrimo.org/eng/user/567502.


Last Sunday, I got convicted of a bad reading habit. 















The 19th Wife
Standing on the river bank, throwing my line in the water, I can’t help but draw some biblical allusions. Last weekend, we went fishing for salmon at our favorite spot up in BC. And there’s nothing like a day of fishing to award you some clarity of mind.
Jesus also recognized the connection between fishing and evangelism. We are to become “fishers of men” (Matthew 4:19). But fishing isn’t as simple as dropping a worm on a hook in the water. There are a lot of different types of fish out there, and they all require different tie-ups. Last weekend, I was fishing for three different types of salmon. The humpies (pinks) seemed to prefer pink colored yarn and beads (2 small ones) with a black hook. And the Chum (dogs) liked either green or purple tie-ups. The Coho (silvers) were the trickiest to catch, and I managed to land a 10 pound fish on a Chum tie-up. But they’re supposed to bite on silver lures.
Among the works is a Giotto, that medieval artist who is considered to have ushered in the Italian Renaissance. Despite its illustrious attribution, the painting isn’t particularly noteworthy in appearance. However, it’s come to symbolize a lot of Italian church art for me. The painting, from late in Giotto’s life (late 13th century), is titled very simply: Madonna. However, upon closer inspection, you’ll notice a disembodied baby hand touching Mary’s face. That would be the missing baby Jesus. Nowhere in the title do we learn about the child. Today, because of damage over the years, we simply have “Madonna.” And while once, Jesus probably played a larger role, now, it’s Mary who steals the show. She’s enrobed in queenly garments, with gold filigree and details (not the humble peasant image we get from the Bible). And she appears to be in her late 20s or 30s (not the teenager that Joseph married).
And the Pieve di San Lorenzo (The Parish Church of Saint Lawrence) gives us one more work of art that signifies the wrong attitude toward Mary. This work is by Matteo Rosselini from 1615 (I didn’t get to use flash, so the picture is a bit fuzzy). Its highly descriptive name is “The Saints Domenico and Francesco Interceding with Christ.” This painting bothered me a lot. Here, you have two saints down on earth pleading with a very angry looking Jesus. Jesus is poised with weapons, ready to hurl them down on the innocent looking men. This is more like the Jesus image I get for the last Judgement (toward the unrepentant and unredeemed), but here, Jesus seems to have no concern for the saints. It’s Mary, sitting at his right hand, pleading with him. She’s the one who is merciful. She’s the one who hears the priests’ prayers. What a messed up picture of grace! 
